{"id":811,"date":"2017-12-01T20:17:00","date_gmt":"2017-12-01T20:17:00","guid":{"rendered":"https:\/\/olvidosdegranada.es\/?p=811"},"modified":"2020-12-17T09:48:48","modified_gmt":"2020-12-17T09:48:48","slug":"ultima-parada-bauman","status":"publish","type":"post","link":"https:\/\/olvidosdegranada.es\/index.php\/2017\/12\/01\/ultima-parada-bauman\/","title":{"rendered":"\u00daltima parada, Bauman"},"content":{"rendered":"\n<figure class=\"wp-block-pullquote\"><blockquote><p><strong>Generaci\u00f3n L\u00edquida. Transformaciones en la era 3.0. Zygmunt Bauman y Thomas Leoncini. Paid\u00f3s, 2017.<\/strong><\/p><\/blockquote><\/figure>\n\n\n\n<p>Thomas Leoncini trae la voz de Zygmunt Bauman. El fil\u00f3sofo dej\u00f3 este mundo licuado hace algo m\u00e1s de un a\u00f1o, mientras estaba trabajando en un interesante di\u00e1logo intergeneracional que ten\u00eda por corresponsal a Thomas Leoncini, sesenta a\u00f1os m\u00e1s joven que \u00e9l. Este di\u00e1logo -inacabado, como todos los di\u00e1logos que no terminan mal- se estructura en tres temas tra\u00eddos a la mesa del mayor por el joven: las transformaciones en la piel, transformaciones en la agresividad y transformaciones en el sexo y el amor. Es decir, temas de actual reflexi\u00f3n como la cirug\u00eda pl\u00e1stica, los tatuajes, el acoso escolar o las relaciones amorosas y sexuales a trav\u00e9s de la vivencia virtual y electr\u00f3nica.<\/p>\n\n\n\n<p>A todas ellas, el viejo da respuesta muy joven, pero con conocimiento del pasado y entronque en las culturas de otros y en la propia, pero olvidada. El di\u00e1logo, que pretend\u00eda trazar ese puente entre generaciones queda suspendido ante la irresistible juventud del fil\u00f3sofo polaco, porque Leoncini asume el papel del joven, del representante de la juventud, sin caer en la cuenta de que hay j\u00f3venes y j\u00f3venes como hay viejos y viejos, y si no queremos caer en el t\u00f3pico de que la edad est\u00e1 en el esp\u00edritu s\u00ed debemos apreciar que hay comportamientos muy viejos en la juventud y comportamientos muy j\u00f3venes entre los ancianos. Eso, Bauman lo sabe. La generaci\u00f3n l\u00edquida somos todos, o casi todos.<\/p>\n\n\n\n<p>El primer tema incide en tatuajes y cirug\u00eda est\u00e9tica con el trasfondo de la moda. Leoncini se explaya en el planteamiento al maestro, se fundamenta en la moda juvenil soportada en datos sobre tatuados, segmentos de poblaci\u00f3n y edad. Bauman, con alta comprensi\u00f3n, remite al sentido ritual del tatuaje y abre al disc\u00edpulo las puertas del campo de la reflexi\u00f3n entre la comunidad y la identidad. Este di\u00e1logo culmina con la aparici\u00f3n en la sala de conversaci\u00f3n de la sociedad de consumo, el estatus y la riqueza.<\/p>\n\n\n\n<p>El segundo tema trata en torno al acoso escolar donde Leoncini apuesta por plantear&nbsp; testimonios al maestro, y a\u00fan m\u00e1s, casos particulares. Bauman afronta el tema desde la tensi\u00f3n entre agresividad y proceso civilizatorio de El\u00edas y el concepto de la decadencia occidental, sacando la reflexi\u00f3n del campo personal, individualizado, del acosado y las motivaciones del acosador. Bauman no lo entiende como caso a caso sino como una manifestaci\u00f3n extensa en tiempo y espacio. Cuando se ve obligado a personalizar, incluso en su propio ejemplo, acosado como ni\u00f1o jud\u00edo en un colegio polaco, no hace m\u00e1s que volver a la identidad del <em>nosotros<\/em> frente a <em>ellos<\/em>, como reverso de una moneda y al sempiterno malestar existencial. A partir de ah\u00ed, Bauman reflexiona sobre el mal.<\/p>\n\n\n\n<p>El tercer tema se adentra en \u201cla decadencia de los tab\u00faes en la era del comercio electr\u00f3nico sentimental\u201d, es decir, c\u00f3mo la tecnolog\u00eda ha influido y modificado las relaciones sexuales y amorosas en la actual sociedad l\u00edquida. El disc\u00edpulo Leoncini aqu\u00ed deja a un lado datos y testimonios para abundar en sus recuerdos personales. La introducci\u00f3n del joven es amplia y aunque el viejo Bauman la elogie como breve y sint\u00e9tica deambula pregunt\u00e1ndose qu\u00e9 es internet o c\u00f3mo influye el anonimato en el comportamiento. Para Bauman la red prometi\u00f3 algo que no ha hecho, una segunda vida \u201cen un h\u00e1bitat ideal, pol\u00edtico u democr\u00e1tico\u201d, pero mundo <em>online<\/em> y mundo <em>offline<\/em> coexisten y si bien viven en \u00e1mbitos normativos y normalizados distintos y distantes, transfieren comportamientos de uno a otro, se mimetizan y se confunden. \u201cLos seres humanos del siglo XXI son de dos mundos\u201d dice el viejo maestro. En el mundo <em>online<\/em> se siente el poder\u00edo, el dominio, el ajuste del mundo a la medida que uno quiere. Pero todo es amarga desilusi\u00f3n: internet no es un mundo de acceso a la informaci\u00f3n, al conocimiento, sino de salida y evasi\u00f3n, un lugar de refugio ante el mundo <em>offline<\/em>, desordenado y ca\u00f3tico, donde leer solo que queremos leer y escuchar solo lo que queremos escuchar. A la vez, sirve como mundo de la calumnia y la difamaci\u00f3n, el cotilleo y la mentira. Leoncini conduce el asunto hacia nuevas formas de matriarcado, las relaciones sexuales virtuales, el tab\u00fa del incesto. Bauman persiste en la incertidumbre, en el mal casamiento dial\u00e9ctico de libertad y seguridad. El disc\u00edpulo lanza una pregunta: \u00bfes el amor l\u00edquido un retorno a los or\u00edgenes de la sexualidad humana? Y esta ya, queda sin respuesta.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Generaci\u00f3n L\u00edquida. Transformaciones en la era 3.0. Zygmunt Bauman y Thomas Leoncini. Paid\u00f3s, 2017. Thomas &#8230; <\/p>\n<p class=\"read-more-container\"><a title=\"\u00daltima parada, Bauman\" class=\"read-more button\" href=\"https:\/\/olvidosdegranada.es\/index.php\/2017\/12\/01\/ultima-parada-bauman\/#more-811\" aria-label=\"Leer m\u00e1s sobre \u00daltima parada, Bauman\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":2955,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[57],"class_list":["post-811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-palabras","tag-filosofia","infinite-scroll-item","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33","no-featured-image-padding"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00daltima parada, Bauman - Olvidos de Granada<\/title>\n<meta name=\"description\" content=\"Alfonso Salazar Generaci\u00f3n L\u00edquida. 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